ALBATROSS

reviewed by CompoundArt Edinburgh Fringe 2016 My focus is on scriptwriting and production elements that demonstrate some particular attributes of Compound Art theory or construction so you must seek elsewhere for plot summaries and more general production details.                                  …

LATE BREAKFAST

  Breakfast feels very different than dinner. Especially since last night was, well there’s no other way to say it, a bit over the top, or was that under the weather.  Marco’s parties are always the best. The girls he finds are ou-la-la. The barbecue so tender and the burgundy! The port moved with us…

"Times Building" by Byron Co.

EVOLUTION

During the first years she was unremarkable, like any other weather-worn space of land where glacier erratics mixed with mismatched bits of local rock and sand. Then animals crawled out of the ocean on four legs and later on two. Their wanderings packed the soil into a hunter-gathering route that gradually curved along her eastern…

"Woman with her Throat Cut" by Alberto Giacometti

MEMORABILIA

A good girl, Daisy followed her mother into that art gallery because she’d insisted they needed to get a bit of culture. All around the first room there were pictures that to Daisy’s eyes seemed much too alike. In the next room the pictures also appeared to be nearly but not quite identical. Room after room…

TIFF 2015 – “Chevalier”

  Writing Craft Review of  screenplay for “Chevalier“ written by Athina Rachel Tsangari and Efthimis Filippou directed by Athina Rachel Tsangari (These are snap judgements devoid of plot summaries and prone to spoilers)                                                    …

TIFF 2015 – “Ivy”

A Writing Craft Review of the  screenplay by Tolga Karacelik and Bilge Elif Özköse for “Ivy”                                                                   directed by Tolga Karacelik (These are snap judgements devoid of…